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Saturday, May 9, 2020 | History

4 edition of Music and Patronage in Sixteenth-Century Mantua (Cambridge Studies in Music) found in the catalog.

Music and Patronage in Sixteenth-Century Mantua (Cambridge Studies in Music)

Iain Fenlon

Music and Patronage in Sixteenth-Century Mantua (Cambridge Studies in Music)

by Iain Fenlon

  • 165 Want to read
  • 7 Currently reading

Published by Cambridge University Press .
Written in English

    Subjects:
  • Music,
  • Italy,
  • General,
  • Mantua,
  • Ethnic,
  • Music / History & Criticism,
  • 16th century,
  • Art patronage,
  • History,
  • History and criticism,
  • Mantua (Italy)

  • The Physical Object
    FormatPaperback
    Number of Pages168
    ID Numbers
    Open LibraryOL7735501M
    ISBN 100521286034
    ISBN 109780521286039

    Synopsis Analyzing the artistic patronage of famous and lesser known women of Renaissance Mantua, and introducing new patronage paradigms that existed among those women, this study sheds new light the social, cultural and religious impact of the cult of female mystics of that city in the late fifteenth and early sixteenth century. This collection of reprinted essays starts from the author's doctoral research on Jacopo Peri and the rise of opera and solo song in late sixteenth- and early seventeenth-century Florence. It extends to broader issues concerning music and patronage in the .

    Music and Patronage in Sixteenth-Century Mantua: Volume 2 liked it avg rating — 1 rating — published — 3 editions Want to Read saving /5. Italian family of music patrons. They ruled Mantua and the Mantuan territories between and as captains and marquises and from as dukes, a title bestowed on them by the Holy Roman Emperor. After the death of Vincenzo II in , the direct line became extinct and the succession eventually passed to the Gonzagas of Nevers.

      An excellent comprehensive introduction to the topic of patronage. I was shocked by how engaged I was in each chapter. Hollingsworth repeats her points frequently, which can be frustrating for someone reading the book straight through from start to finish, but it also serves the purpose of cementing many of her key insights in mind and leaving the book with the /5. Among his books is a two-volume study, Music and Patronage in Sixteenth-Century Mantua (), The Italian Madrigal in the Early Sixteenth Century (with James Haar, ), and Music and Culture in Late Renaissance Italy (). His most recent book is The Ceremonial City: History, Memory and Myth in Renaissance Venice ().File Size: KB.


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Music and Patronage in Sixteenth-Century Mantua (Cambridge Studies in Music) by Iain Fenlon Download PDF EPUB FB2

Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and : Hardcover.

Book description This book is a companion volume to Music and Patronage in Sixteenth-Century Mantua I. The relationship between the volumes is not direct in the sense that specific references are made in volume I to specific features of the works in volume by: Music and Patronage in Sixteenth-Century Mantua: Volume 2 (Cambridge Studies in Music) [Iain (Author) on Dec Paperback Music and Patronage in Sixteenth-Century Mantua: Volume 2 MUSIC AND PATRONAGE IN SIXTEENTH-CENTURY MANTUA: VOLUME 2 by Fenlon] on *FREE* shipping on qualifying offers.

New copy. Fast shipping. Will. Music and patronage in sixteenth-century Mantua. [Iain Fenlon] -- Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to.

Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Read more. Music and Patronage in Sixteenth-Century Mantua - by Iain Fenlon December Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our : Iain Fenlon.

- Music and Patronage in Sixteenth-Century Mantua, II Iain Fenlon Frontmatter - Music and Patronage in Sixteenth-Century Mantua, II Iain Fenlon Frontmatter More information.

Title: Author: Administrator Created Date. a few. Within Italy, music patronage by the Gonzagas as well as the Estes of Ferrara have been well documented. Several members of the Gonzaga family of Mantua and other places received at least 24 dedications from a variety of composers during the.

Book Description. Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. SynopsisAuthor: Iain Fenlon.

simply being presented with the finished product as a patron or prospective employer' (Music and Patronage in Sixteenth-century Mantua [Cambridge, ], 89). 3 The most comprehensive treatment of the Ferrarese musical establishment during the last two decades of.

Review: Music and Patronage in Sixteenth Century I by Iain FenlonCited by: 1. This collection of essays is unified by a number of concerns: one is the way in which musical activity of all kinds was instrumentalized by those in power, in Italy, during the Sixteenth Century.

Music and Culture in Late Renaissance Italy - Iain Fenlon - Oxford University Press. Book Description. Analyzing the artistic patronage of famous and lesser known women of Renaissance Mantua, and introducing new patronage paradigms that existed among those women, this study sheds new light the social, cultural and religious impact of the cult of female mystics of that city in the late fifteenth and early sixteenth century.

Among his books are a two-volume study, Music and Patronage in Sixteenth-Century Mantua (), The Italian Madrigal in the Early Sixteenth Century (with James Haar, ) and Music and Culture in Late Renaissance Italy ().Author: Iain Fenlon.

Iain Fenlon is Reader in Historical Musicology at the University of Cambridge and the editor of Early Music History. His publications include: Music and Patronage in Sixteenth-Century Mantua; The Early Sixteenth Century Madrigal (with James Haar); The Song of the Soul: Understanding 'Poppea' (with Peter Miller); Music, Print and Culture in Renaissance Italy; and Music.

Two of these are concerned with the patronage of music: by the Church in fifteenth-century England, Italy and France, and in a broader context in Italy from to A group of essays on sixteenth-century instrumental music separates these, and the book concludes with five papers on theories of filiation as applied to music sources from.

When Isabella first arrived in Mantua, she began having a set of rooms (camerini) built to showcase her books, artworks, and musical instruments, and to provide her with spaces for reflection, contemplation, and intimate music-making.

Her first camerini were in the Castel San Giorgio in Mantua. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers.

The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based. Book review: Joanne Alper, Billy says - “It’s not your fault”: Book 1.

Read more. Article. Music and Patronage in Sixteenth Century Mantua. Vol. I Iain Fenlon. July Journal of. Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy, and it caused widespread social disorder.

Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual, and civic. Iain Fenlon is Professor of Historical Musicology in the University of Cambridge and a Fellow of King\\'s College. Most of his writing has been concerned with the social and cultural history of music in Renaissance Italy.

His books include a two-volume study, Music and Patronage in Sixteenth-Century Mantua (), a monograph on the early Italian madrigal (with James Haar), Music.Search for books, ebooks, and physical Women, art and architectural patronage in Renaissance Mantua: matrons, Published: () Music at the Gonzaga court in Mantua by: Sanders, Donald C., Published: () The Gonzaga of Mantua and Pisanello's.All books set in Mantua on the global book map.

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